X Marks the Spot

We've noted two releases in the graphic novel arena in the past two weeks, though we're noting them for different reasons.

First is Malcolm X, A Graphic Biography, by Andrew Helfer and Randy DuBurke. Helfer, the brains behind DC Comics' Paradox Press imprint, which marketed graphic novels in odd sizes, (e.g., The Big Book of Urban Legends and the now seminal A History of Violence, first prints), has moved to a new company, Hill and Wang. However, at 102 pages of not-thoroughly-researched information and fairly descriptive illustrations, you have to ask, "Why is this book being published?" There's definitely better graphic work done on Malcolm X, (Malcolm X for Beginners, if you don't believe me.) There's an imprint on the back left corner of the book that says "serious comics." If that's true they should treat their subject matter a little more seriously. We're hoping their next publication, Ronald Reagan, a Graphic Biography will be better.

But as an avenging black angel, swooping into the graphic novel miasma to retrieve a slice of redemption, long time rebel outsider Lance Tooks finishes his Lucifer's Garden of Verses with a fourth volume titled Between the Devil and Miles Davis. Cheaper than the previous book, it feels like you're holding some serious value as you read this meditation on black celebrity and mystic frustration. Those looking for more critical information on Miles Davis will be sorely disappointed, but if you've ever been captivated by the stark skins and sharp edges of Lance Tooks' work, you'll be happy with the series swan song. Even the uninitiated will take delight in a main character that is often fitted with a t-shirt that has "Halliburton Plantation" printed over an outline of the United States. This is the man to watch as he's been in the graphic novel business for a while and still managed to preserve an authentic style unfettered by the whims of the comic book kids.

Above: Lance Tooks sketches

December 13, 2006 08:40 PM | Permalink | Story by Jah Puba